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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

BECOME A BOOK EDITOR

Dates: 21 OCT 2026 - 30 NOV 2026
Duration: 6 WEEKS
MONDAYS & WEDNESDAYS
5 PM BST
KATIE OGUNSAKIN
PENGUIN RANDOM HOUSE
Katie Ogunsakin
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

LIVE ONLINE COURSE ON BOOK EDITING

DATES:
21 OCT 2026 - 30 NOV 2026
DURATION:
6 WEEKS
MONDAYS & WEDNESDAYS
5 PM BST

Shape stories that matter. Turn manuscripts into unforgettable books.

Katie Ogunsakin, Editorial Director at Penguin Random House, will guide you through every stage of the editorial journey, equipping you to edit professionally and launch your publishing career.

WHO THIS COURSE IS FOR

  • YOU ARE READY TO BREAK INTO BOOK PUBLISHING

     

    Feeling unsure where to start in publishing? This book editor course demystifies the industry, giving you hands-on editorial experience, insight into marketing and design, and the confidence to navigate manuscripts like a pro. By the end, you’ll have the practical skills and professional connections to take that first big step into the world of books.

  • YOU WANT TO ELEVATE YOUR EDITING FOR BOOKS

     

    Already self-editing or dabbling in writing? Take your craft to the next level. Learn to manage projects, collaborate with authors and designers, and master industry standards that set professional editors apart. You’ll gain the book editor training to work on compelling books and pivot confidently into publishing roles.

YOUR ASCENT STARTS HERE

Turn manuscripts into masterpieces.

From structural edits to copyediting, you’ll tackle real manuscripts with hands-on assignments and workshops that simulate the life of a professional editor. Build a portfolio of work that proves your ability to refine, elevate, and champion stories.

Learn LIVE from a Penguin Random House pro.

Our live online format lets you interact directly with instructors and industry guests, ask questions in real-time, and receive feedback that’s immediate and actionable. Experience the dynamic environment of publishing without leaving home, gaining insights only seasoned editors can share.

 
ABOUT THE COURSE
01
HANDS-ON EXPERIENCE

Dive into assignments like reader analysis, elevator pitches, editorial drafts, and book cover reviews. Each task builds your editorial muscles, giving you practical skills you can showcase to employers or clients.

02
REAL-WORLD INSIGHTS

Learn from case studies of bestselling titles and guest sessions with editors, designers, proofreaders, and publicists. See how decisions in editing, design, and marketing shape a book’s success and absorb insider knowledge you won’t find in textbooks.

03
PORTFOLIO-READY PROJECT

Develop a professional editorial package including an 800-word editorial letter and a one-page “Editorial Vision” document. This capstone gives you tangible proof of your ability to evaluate, plan, and present a book, setting you apart in your publishing career.

INSTRUCTOR

Katie Ogunsakin

LinkedIn Profile
  • Creating space and sparking conversation as an Editorial Director at Penguin Random House, ex-Orion Publishing Group
  • Edited multiple Sunday Times bestsellers, including Love in Colour and Honey & Spice
  • Worked with high-profile authors and public figures including Keke Palmer and Dr Shola Mos-Shogbamimu
  • Mentors emerging writers and publishing talent through Black Girl Writers
  • Authored gifting titles and a debut novel, Losing the Plot
  • Recognised as Future Leader of the Year 2023
  • Brings insider knowledge of both creative and business sides of publishing
Instructor Katie Ogunsakin
syllabus
00
MON (19/10), 5 PM BST
Welcome Lesson

Get the lay of the land. We’ll walk through how the course runs, what you’ll learn, and what’s expected, so you’re all clear on the roadmap.

  • Instructor intro
  • General housekeeping
  • Roadmap for the course
  • Assignment & projects overview
  • Publishing quiz
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01
WED (21/10), 5 PM BST
The Publishing Landscape

Get the full picture of how publishing works — from Big 5 boardrooms to indie disruptors, from first idea to bookshop shelf. Break down who does what, explore fiction vs. non-fiction, formats, and specialties. Leave knowing how a book becomes a business.

  • The current publishing landscape: The Big 5 & emerging publishers
  • How a book comes to life: Idea to marketplace
  • Roles & departments: Editor role & book editing specialties
  • Book formats: Print & digital books
  • Fiction vs. non-fiction
  • Case Studies: When We Ruled by Paula Akpan & All the Colours of the Dark by Chris Whitaker
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02
MON (26/10), 5 PM BST
What Makes a Book Sell?

Figure out why some books fly off the shelves while others quietly disappear. Break down readers, markets, pitches, and competitive titles — and learn how to balance creative instinct with commercial reality so your projects sell well.

  • Target markets & target audience: Genres, tastes, buying habits
  • The importance of the pitch
  • Competitive titles & why we need them
  • Publishing as a business
  • Effective marketing strategies & campaigns
  • Workshop: Writing marketing copy

Assignment #1: Go to a bookshop. Pick up three different books, analyse their target audience and their appeal for the reader.

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03
WED (28/10), 5 PM BST
What Makes a Good Book?

Read like an editor, spot potential, and give feedback that matters. Learn how manuscripts make it to acquisitions, what separates a promising book from a forgettable one, and practice evaluating a real piece of writing.

  • How manuscripts reach editors: Submissions & acquisitions
  • What makes a book good enough
  • Reading like an editor
  • Selecting a manuscript: Evaluation criteria
  • Feedback
  • Workshop: Manuscript assessment

Assignment #2: Get ready to pitch a book idea & write your short elevator pitch.

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04
MON (2/11), 5 PM BST
Acquiring a Book

Learn how to craft, deliver, and refine acquisitions pitches, negotiate terms, and understand what makes a winning offer — all while getting real-time feedback and practical insights from case studies.

  • Pitch at Acquisition
  • Pitching to authors
  • Creating a costing
  • Auction acquiring
  • Case Study: Negotiations & offer memo
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05
WED (4/11), 5 PM BST
How to Edit + Guest Speaker

Get hands-on with different editing approaches, understand why each matters, and start figuring out which style fits you best. Learn how to communicate edits clearly to authors, whether through notes, calls, or annotated manuscripts.

  • Importance of editing
  • The relationship with authors & ghostwriters
  • Developmental & structural editing
  • Editorial letters, in-text edits, over the phone communication
  • Editing non-fiction vs. fiction
  • Guest Speaker: Professional editor on editing preferences
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06
MON (9/11), 5 PM BST
Developmental Editing

Learn to spot structural hiccups, tighten plots, and give feedback that helps authors improve their work. Balance critique with encouragement, shape strong characters and arguments, and turn editorial notes into a constructive conversation that moves the story forward.

  • Structural & developmental editorial skills
  • Editorial critiques & constructive feedback
  • Editing as a conversation
  • How to approach developmental & content editing
  • Finding inconsistencies
  • Workshop: Editorial letter

Assignment #3: Draft editorial feedback on a sample short story text.

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07
WED (11/11), 5 PM BST
Line Editing & Copy Editing

Spot the errors, smooth the flow, and polish text until it reads effortlessly. Sharpen your eye for consistency, pacing, and clarity, while keeping the author’s voice intact.

  • Style, author’s voice, consistency
  • Cutting text: Word choice, wordiness, clarity
  • Pacing: Purpose, tension, chapter endings
  • Target audience perspective
  • Copyediting vs. proofreading: Grammar mishaps, mechanical errors, style guides
  • Grammar quiz
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08
MON (16/11), 5 PM BST
Editing Workshop

Get your hands dirty with real editing — from line edits to sensitivity checks — while learning how to navigate the legal and ethical side of publishing. Collaborate, critique, and polish texts, and leave with practical skills you can put straight into your portfolio.

  • The legal bit
  • Content awareness, warnings, sensitivity readers
  • Demo: Line editing
  • Working with other editors & freelancers
  • Workshop: Line editing & copyediting

Assignment #4: Pick out the cover of a book you really love and explain why.

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09
WED (18/11), 5 PM BST
Judging Books by the Cover + Guest Speaker

Learn to brief designers, critique concepts, and translate author vision into covers that sell. Hear from a pro guest designer and see what makes a cover really work in the market.

  • Good cover design
  • Case Study: Effective covers
  • Workshop: Cover design brief
  • Liaising between cover designer & author
  • Guest speaker: Cover Designer
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10
MON (23/11), 5 PM BST
Book Production + Guest Speaker

Get a full view of how a book comes to life — from editorial handoffs to production timelines, digital formats, and rights opportunities. Learn to coordinate teams, meet deadlines, and spot ways a book can earn before it even hits shelves with insider tips.

  • In-house process management
  • Demo: Managing production timelines & critical path
  • Team collaboration & deadlines
  • E-books & audiobooks production
  • Rights: Sub-rights, translation, book-to-movie adaptations
  • Guest Speaker: Industry expert
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11
WED (25/11), 5 PM BST
Publicity, Marketing & Sales + Guest Speaker

See how publicity, marketing, and sales get books into readers’ hands. You’ll learn to navigate media, retailers, and international channels, and craft winning communications plans. See how to make a book visible, desirable, and sellable.

  • Publicity vs. marketing strategy
  • Media & author management: Press coverage, book tours, award nominations
  • The retail ecosystem, export, special sales
  • Pitching & sales tools
  • Workshop: Developing a communications plan
  • Guest Speaker: Publicity & sales expert
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12
MON (30/11), 5 PM BST
Become an Editor: Q&A and Next Steps

Plot your next moves in publishing. Learn how to network with authors and editors, build a portfolio that gets noticed, pitch freelance projects, and prepare for interviews — all while getting your questions answered live.

  • Career paths & guidance
  • Networking essentials
  • Creating a professional portfolio & cover letter
  • Freelance opportunities & freelance business
  • Interview prep
  • Final Q&A

Final Project: Editorial Letter & Vision
Part 1: Write an editorial letter to an author based on a sample text, offering a short developmental edit.
Part 2: Create an editorial vision to include book description, potential author, sales and comms points, competitor titles, and a cover brief.

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What our students say

Student Sherlyn Assam
Sherlyn Assam
BECOME A BOOK EDITOR
"The Become a Book Editor course was a perfect blend of editorial training, professional development, and networking opportunities. The assignments challenged me to make creative and business decisions that could support authors and benefit publishing houses. Francisco was an intelligent, personable, and encouraging instructor who made himself accessible for support outside of class hours. This course demystified the publishing industry. It turned my curiosity for book editing into a career aspiration. I look forward to pursuing book editing roles in my freelancing career."
Student Victoria Mansell
Victoria Mansell

MARKETING DIRECTOR
"It was such a great experience, well worth the course fee which I invested personally - I've learnt so much and feel much more confident in my role.."

Student Parag Deb
Parag Deb
BECOME AN AR/VR DESIGNER
"The course at ELVTR was a great investment in my career. The materials are top-notch, and the instructors provided excellent support."
Student Kiara De Leon Hernandez
Kiara De Leon Hernandez
UI/UX FOR GAMING
"The knowledge. The teacher is very experienced. He is able to answer our questions in depth, and takes the time to do so."
Student Youssef MN Aly
Youssef MN Aly
BECOME AN AR/VR DESIGNER
"The course was very helpful in helping me expand my design toolkits by gaining a wealth of new knowledge and inside expertise to stay at the forefront in an age of rapidly developing technological and software advancements."
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