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LIVE ONLINE COURSE
LIVE ONLINE COURSE
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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

BECOME A BOOK EDITOR

Dates: 10 FEB 2027 - 22 MAR 2027
Duration: 6 WEEKS
MONDAYS & WEDNESDAYS
6 PM GMT
MICHELLE WARNER
PENGUIN RANDOM HOUSE
Michelle Warner
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LIVE ONLINE COURSE
LIVE ONLINE COURSE
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LIVE ONLINE COURSE ON BECOMING A BOOK EDITOR

DATES:

10 FEB 2027 - 22 MAR 2027


DURATION:
6 WEEKS
MONDAYS & WEDNESDAYS
6 PM GMT

Every bestseller had an editor who believed in it first. You'll finish with a full publishing plan for a book you've championed, ready for your first editorial interview. 

Michelle Warner, a senior Editor with over a decade at Penguin Random House, shows you how books are acquired, edited and launched, and how to carve out your own career in publishing. 

THIS COURSE IS FOR YOU, IF...

  • YOU ARE A CAREER CHANGER WHO LOVES BOOKS

     

    Publishing feels like a closed world, and you can't see a way in. This book editor course walks you through every stage of a book's life with a Penguin Random House editor, from acquisition notes and structural edits to cover briefs and campaign plans. You'll leave with a portfolio-ready Publishing Plan, a network of peers, and the confidence that a career in books is genuinely within reach.

  • YOU ARE A WRITER, JOURNALIST, OR CONTENT CREATOR

     

    This book editor training sharpens your structural, line and copy-editing skills to a professional standard and teaches you how to feed back to authors in an impactful and meaningful way whilst steering a book through all the key stages. You'll finish with industry-grade editing skills and the confidence to finally call yourself an editor.

YOUR ASCENT STARTS HERE

Turn your love of books into a life in publishing.

You'll take a book from submission to shelf, writing an acquisition note, cover copy, a front cover brief and a campaign plan along the way, as well as completing a copy-edit. It all comes together in a Comprehensive Publishing Plan modelled on a real internal acquisition document, the kind of proof that speaks for you in an interview.

Learn the trade from cover to cover. LIVE online.

Five industry guests, from a freelance copy-editor and an in-house publishing lawyer to a senior marketer manager, take you inside every department. Office hours after lessons and built-in 1:1s mean you're never left guessing between classes. 

 
ABOUT THE COURSE
01
HANDS-ON EDITORIAL PRACTICE

You'll write an acquisition note, complete a copy-edit with a style sheet and queries, draft cover copy, brief a front cover and plan a campaign. Workshops put you in the room, pitching your book to classmates playing Sales, Publicity and Marketing, and testing which cover copy sells hardest.

02
INSIDE A BESTSELLING LIST

Case studies come straight from Michelle's own books, from evolving the cover style of new collections by Pam Ayres, the UK's second bestselling poet, to the brief-to-final journey of the package for musical quiz book Les Quizerables. You'll also hear from a fiction editor, a publishing lawyer and the marketer whose BMS-highly commended campaign kept the first Ted the Dog book on the Sunday Times bestseller list for 10 weeks.

03
A PLAN THAT PROVES IT

Your final project is a Comprehensive Publishing Plan modelled on a real internal acquisition document, covering comps, timing, the package, target retailers and the campaign. Prefer the editorial side? Write a full editorial letter and market vision for a short story instead, and walk into interviews with work you can talk through page by page. 

INSTRUCTOR
Michelle Warner LinkedIn Profile
  • Serves as senior Editor at Penguin Random House, with over a decade's experience in publishing
  • Builds a varied list at Ebury, Publisher of the Year 2024, spanning books from icons in the entertainment industry, memoir, poetry, true crime and humour
  • Acquired and edited books by Pam Ayres, the UK's second bestselling poet, and TV dog behaviourist Graeme Hall
  • Acquired Joan Hannington's true crime memoir, later adapted by ITV and starring Sophie Turner
  • Commissioned The Older I Get by Fern Britton, Relationship Status by YouTuber Anastasia Kingsnorth and What Would Dani Do by Love Island star Dani Dyer
  • Works with major entertainment names, including Will Young and Lily Collins
  • Specialises in books for engaged fandoms, including a gift book about The Sims with YouTuber Plumbella and musical quiz book Les Quizerables
Instructor Michelle Warner
syllabus
00
MON (8/2), 6 PM GMT 
Prelude

Get oriented with the course structure, meet your instructor, and receive the glossary and publishing timeline that will guide you through the weeks ahead.

  • Course structure and topics
  • General housekeeping
  • Assignment overview
  • Pre-reading: glossary and publishing timeline
 
 
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01
WED (10/2), 6 PM GMT 
Introduction to Publishing and Being an Editor

Gain insight into how UK publishing fits into the global market, from the Big Five to independent houses, explore the many genres and career paths available and discover what it really takes to be an editor.

  • The current publishing landscape
  • Publishers, divisions and imprints
  • Genres from literary to commercial, fiction vs non-fiction and subcategories
  • The editor's role and responsibilities
  • Cross-departmental collaboration
  • Author and agent relationships

Assignment A: Reading Mind Map
Map the books you love, explore bookshops and charts, and identify the kinds of books you'd be proud to publish.

 
 
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02
MON (15/2), 6 PM GMT 
How a Book Gets Made

Follow a book from idea to printed copy, learning each stage of the production schedule, the editing specialties involved, and how in-house and freelance editorial roles differ.

  • The key stages of a book’s journey
  • Case study: How schedules shift by author and book type
  • Book-editing specialties and project editing
  • Working with the Production team
  • Book budgets and freelancer costs
  • Workshop: Reflect on your reading mind maps to explore potential career directions
 
 
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03
WED (17/2), 6 PM GMT 
Assessing Submissions and Acquiring

Learn how editors judge a submission's commercial potential, write a persuasive acquisition note, and pitch it at an acquisition meeting with evidence ready for every question.

  • Routes to acquiring a book
  • Assessing audiences, trends and comps
  • Writing an acquisition note
  • Case study: Pitching a real acquisition note
  • Case study: P&L, advances and royalties
  • Workshop: Assessing three book submissions

Assignment #1: Acquisition Note
Write a one-page acquisition note for your fictitious book and prepare to pitch it in the next lesson.

 
 
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04
MON (22/2), 6 PM GMT 
Developmental and Structural Editing + Guest Speaker

Discover the editing stages that bring out a promising idea or book’s full potential, from shaping a premise before acquisition to feeding back on plot, pacing, structure and voice across a full manuscript.

  • Concept development before acquisition
  • Chapter breakdowns and sample chapters
  • Structural edits and chapter notes
  • Analysing themes and plot points
  • Workshop: Cross-departmental pitch and Q&A
 
 
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05
WED (24/2), 6 PM GMT 
Line-editing and Providing Feedback to Authors

Master sentence-level editing while protecting the author's voice, and learn how to deliver feedback that balances praise and critique so authors stay supported and motivated.

  • Assessing the level of editing needed
  • Cutting text without losing voice
  • Improve word choice, syntax, tone and effectiveness
  • Author care throughout the publishing process
  • Pacing feedback across each stage
  • Example author feedback email

Assignment #2: Editorial Feedback Letter
Assess a provided short piece of writing and write a one-page editorial letter of feedback to its author.

 
 
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06
MON (1/3), 6 PM GMT 
Copy-editing + Guest Speaker

Get to grips with the detail behind a professional copy-edit; how to perform one to and how to resolve queries, as well as getting practical guidance on building a freelance copy-editing career of your own.

  • Hiring and briefing a copy-editor
  • The four C's of copy-editing
  • Queries and style sheets
  • Demo: Live editorial walkthrough of a pre-typeset text
  • Case study: Tackling queries in a real copy-edit
  • Building a freelance copy-editing career

Assignment #3: Copy-edit
Copy-edit a page of text, adding to the style sheet and raising queries where needed.

 
 
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07
WED (3/3), 6 PM GMT 
Navigating Legal Issues + Guest Speaker

Understand the legal and ethical questions that shape what gets published, from copyright and clearances to defamation and privacy, and learn to resolve issues while keeping the story intact.

  • Pre-acquisition legal sense checks
  • Copyright in unofficial IP projects
  • Clearances and originality checks
  • Legal reads on defamation and privacy
  • Case study: Resolving a legal read query
  • Breakout room: Weighing a hypothetical legal and ethical scenario

Assignment B: Cover Pick
Choose a book cover you love, compare it with others in its genre, and be ready to discuss it in the book cover lesson the following week.

 
 
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08
MON (8/3), 6 PM GMT 
Securing Retailers and Writing Cover Copy

Discover how retailers choose their books and how editors help Sales win them over, then learn to write cover copy that hooks readers in seconds.

  • The UK retailer landscape
  • How to assess which retailer is right for your book
  • Selling-in to retailers
  • Writing genre-specific effective cover copy
  • Finding your book's hook
  • Title information sheets
  • Workshop: Comparing three versions of cover copy

Assignment #4: Cover Copy and Title Information Sheet
Write around 200 words of cover copy for your book and complete a title information sheet for your portfolio.

 
 
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09
WED (10/3), 6 PM GMT 
The Book Cover

Learn how to translate a book’s identity into a cover that stands out from the rest and makes readers pick it up, from writing the brief and pitching at the Jackets meeting to guiding designers from first visuals to final art.

  • Workshop: Presenting your chosen front cover
  • The cover design process
  • Writing a cover brief using comps and audience insight
  • Pitching at the Jackets meeting
  • Briefing designers and giving feedback
  • When to follow or avoid trends in cover design
  • Case study: A cover brief from first visuals to final design

Assignment #5: Front Cover Brief
Write a front cover brief setting out your creative vision and comps, with one page of writing and one page of mood board references.

 
 
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10
MON (15/3), 6 PM GMT 
The Package and Sending a Book to Print

Bring the full book package to life, from back covers, finishes and plate sections to internal design, then oversee the proof stage and sign the book off for print.

  • Back cover design and formats
  • Finishes and special effects
  • Endpapers and boards
  • Plate sections and captions
  • Internal design and typesetting
  • Proofreading and final sign-off
 
 
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11
WED (17/3), 6 PM GMT 
Building a Successful Book Campaign + Guest Speaker

Plan a campaign that moves the dial, learning how to brief the comms team, choose the right publicity and marketing activity, and build a strong digital presence for your book.

  • The three stages of a campaign
  • Briefing the comms team
  • Publicity and media outreach
  • Marketing and author social media
  • Digital presence and discoverability
  • Case study: A campaign that moved the dial

Assignment #6: Campaign Plan
Choose your book's campaign style and build a one-page campaign plan covering activity like signings, events and social media.

 
 
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12
MON (22/3), 6 PM GMT 
Breaking Into Publishing + Guest Speaker

Prepare to break into publishing with practical strategies for researching publishers, tracking the market, networking, and tailoring your CV and interview answers.

  • Researching publishers and imprints
  • Tracking market trends and charts
  • Internships and graduate schemes
  • Building professional connections
  • Tailoring your CV and cover letter
  • Job interview preparation
 
 
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What our students say

Student Audrey Rose Mizzi
Audrey Rose Mizzi
Marketing Executive at St John's Co-Cathedral "It's a comprehensive look at what you need to become a book editor. It complements you with knowledge and hands-on skills that will assist you in your day to day work, even if you're not a full-time editor."
Student K. A. Alberts
K. A. Alberts
"This course covers every aspect of the publishing industry and really helps you understand what your role as an editor involves. It gives you a clear idea of what you’ll be doing day-to-day, while also helping you understand what is expected of you as an editor. I found it incredibly useful for gaining a broader understanding of the industry and the responsibilities that come with working in publishing."
Student Gagandeep Kaur
Gagandeep Kaur
"It is a highly practical, fast-paced investment that is absolutely worth it if you want direct access to top-tier publishing professionals."
Student Eduina Manso Henriques
Eduina Manso Henriques
Writer - Self-Published "Worth the money paid. Very insightful and helpful. A top-up course sorta. Friendly and real-world scenario-based. Highly recommend!"
Student Sherlyn Assam
Sherlyn Assam
Freelance Writer and Editor "The Become a Book Editor course was a perfect blend of editorial training, professional development, and networking opportunities. The assignments challenged me to make creative and business decisions that could support authors and benefit publishing houses. Francisco was an intelligent, personable, and encouraging instructor who made himself accessible for support outside of class hours. This course demystified the publishing industry. It turned my curiosity for book editing into a career aspiration. I look forward to pursuing book editing roles in my freelancing career."
Alexandra-Veronica Nebancea
Education Engagement Coordinator at Coventry University Students' Union "100% worth doing; you get an insight into the industry and a step-by-step guide of traditional publishing routes. "
Szilvia Spiegelberger
Teacher of English "Great course to get a deeper understanding of all the steps needed to get a book printed and how editors work within this."
Scott William Broadway
"Take a bit of time to consider if it's for you, as always, but it's worth every penny if you decide to take the plunge. If you're looking to get into the publishing industry, it's a great first step."
Lucy Bolton
"It's a fantastic overview and introduction to the world of editing and publishing."
Eleanor Gething
Freelance Reader at London Literary Scouting "I think it's a really great way to get a better understanding for the publishing industry and the process of taking a book from draft to print."
Salma Taslim
Part-Time Supervisor at Hotel Chocolat "I would say that it's worth it, you learn a lot of 'inside information' that you couldn't get from school. It really helped build my confidence in terms of editing"
Hannah Coyle
Founder of Creative Journalism and Agent Site - The Heron Took Flight "Make sure to review the content more than once to get the most out of the material"
Hanne Monfort
"If they are interested in the publishing industry, publishing or editing, I would certainly recommend. It's a very accessible course and previous knowledge is not required, only enthusiasm."
Sofía Rodríguez Cardoza
"If you are looking to enter the publishing industry but don't know where to start, this course is perfect for your first steps."
Georgina Caddy
Production Coordinator "Very helpful, engaging, and interesting course - I'm very pleased I did it. It took the intimidating aspect of learning something new and made it fun"
Naomi Hartgill
Homemaker "I'd tell them to jump at the opportunity and they'll learn a lot."
James Sadler
"It was a fun course with some interesting content, but I would say that if you already know about publishing or work in the industry, it's probably not essential."
Louise Atkins
Primary School Teacher "It's great, you will learn loads but the assignments are hard!"
Viktoria Ivkin
Student "Overall the course is led by a Person that has a lot of Knowledge and I would use the opportunity to ask as many questions as possible"
Jamillah Knowles
Writer "I would say it's expensive but definitely worthwhile because the content is rich and the time is well spent and supported. "
Bárbara Ferreira-Hynd
Civil Engineer "That is a great way to dip their toes into something different "
Chandani Guram
Outreach Coordinator at UWL "It is a good step in switching careers into editing"
Sana Rehman
VFX Line Producer "That it is great but you really need to dedicate a good amount of hours a week to it."
Adeeba Ahmed
"I would tell them to do it. I have already told my sister who's an English teacher that she needs to do this course. For anyone who has an interest in publishing or just loves books, it's a must!"
Lulu Norman
"Do it. And do all the homework, then go over all the resources, links, slides etc. again... would put you in a great position to access editing work "
Nahat Hussain
"It was fun, inspiring and insightful, and a great opportunity to meet amazing people "
Erin Higginson
"Do it! It was really informative and engaging - the structure, the instructor, and the ease of access to resources is all a plus"
Emma Rata
Personal Assistant at Mowbray Education Trust "I'd tell them that it is worthwhile. I found it very enjoyable and have learnt a lot. I have access to a lot of useful resources and a much deeper understanding of the topic and where to keep informed. "
River Scott
Student at Open University "That it's very helpful and easy to do course - well set out and inspirational"
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