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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

BECOME A MUSIC LICENSING MANAGER

Dates: 12 NOV 2026 - 22 DEC 2026
Duration: 6 WEEKS
TUESDAYS & THURSDAYS
6 PM GMT
JAN KUBRAN
SONY MUSIC ENTERTAINMENT
Jan Kubran
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

LIVE ONLINE COURSE ON MUSIC LICENSING MANAGEMENT

DATES:
12 NOV 2026 - 22 DEC 2026
DURATION:
6 WEEKS
TUESDAYS & THURSDAYS
6 PM GMT

Sync deals close on rights, budgets and negotiation, not taste. Master the full music licensing process and turn tracks into signed client deals.

Guided by Jan Kubran, Sony Music's Senior Director of Sync & Rights Management, behind placements for Harry Styles, Alicia Keys and Kygo. You'll leave with a client-ready licensing proposal.

WHO THIS COURSE IS FOR

  • YOU ARE A MUSIC INDUSTRY PROFESSIONAL

     

    You know the music, but not the paperwork that turns it into revenue. This course breaks copyright law, contract redlining and sync negotiation into a system you can run yourself. You'll learn to monetise your catalogue across streaming, advertising and emerging formats instead of leaving deals on the table.

  • YOU ARE A MEDIA OR ENTERTAINMENT PROFESSIONAL

     

    Clearance delays and unclear rights keep pushing your production deadlines back. We teach the exact clearance steps, union fee calculations and licensing workflows used on real film and TV productions. You'll walk away able to licence music quickly and legally, without the costly mistakes that come from guessing.

  • YOU ARE A FREELANCER BUILDING A LICENSING BUSINESS

     

    Contracts and licensing logistics are the part of freelancing nobody trained you for. This music licensing course gives you the redlining, negotiation and AI workflow skills to handle licensing without outsourcing it. You'll build the systems and confidence to compete for bigger clients and cut agency costs.

  • YOU ARE SWITCHING CAREERS INTO MUSIC LICENSING

     

    You want into music licensing, but you don't have a way in yet. Build yourself from the ground up — the global licensing ecosystem, contracts, and a final pitch project that proves you're ready. You'll leave with the vocabulary, workflow knowledge and portfolio piece to walk into interviews at labels, publishers and sync agencies.

YOUR ASCENT STARTS HERE

Master the deal behind every synced track.

Learn rights clearance, union fee calculations and contract redlining using tools like Mewo.io and MAIA Universe. Graduate with a full client presentation and licensing proposal built for real briefs — the same deliverable that separates a coordinator from a £70,000+ Licensing Manager.

Learn licensing from inside the label.

Learn twice a week from Jan Kubran, with office hours built into nearly every lesson and five guest speakers pulled from sync, film/TV and agency backgrounds. Every student gets a 1:1 mock interview, and top performers leave with a recommendation letter.

 
ABOUT THE COURSE
01
HANDS-ON LICENSING PRACTICE

You'll calculate SAG-AFTRA and AFM union fees, build a licensing tracker, curate tracks in Mewo.io, and run a budget forecast in MAIA Universe. A live negotiation simulation and contract redlining workshop put every skill under real pressure.

02
REAL CASE STUDIES & GUESTS

The course draws on licensing case studies from The Last of Us, Dark, Stranger Things and Monster, plus five guest speakers from sync, film/TV and agency backgrounds. You'll see how real deals get made — and where they fall apart.

03
A CLIENT-READY FINAL PITCH

Your final project is a full Music Licensing Proposal & Client Presentation, built from every assignment in the course. You'll pitch a music shortlist, budget and negotiation strategy exactly as you would to a studio, agency or brand.

INSTRUCTOR
  • Leads Sync & Rights Management as Senior Director at Sony Music Germany, overseeing the world's second-largest music catalogue
  • Placed music for global campaigns including Harry Styles for Kia and Alicia Keys for Mercedes
  • Secured sync deals for Kygo × Sony Bravia and Rag'n'Bone Man × Vodafone
  • Built strategic artist partnerships with brands including smart and Sony Electronics
  • Began his licensing career in 2009 at Sony BMG Munich, growing the DACH region's licensing business
  • Holds an Executive MBA from Bologna Business School and a degree in Applied Media Studies from TU Ilmenau
Instructor Jan Kubran
syllabus
00
TUE (10/11), 6 PM GMT
Welcome & Course Orientation

Get oriented with the course structure, meet your instructor, and set clear expectations for the assignments and final project ahead.

  • Meet your instructor
  • Course structure and expectations
  • Assignments and final project overview
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01
THU (12/11), 6 PM GMT
Introduction to Music Licensing & the Industry

Explore the global music licensing ecosystem and master the split between master rights and publishing rights across major territories.

  • Global music licensing ecosystem
  • Role of licensing in media and entertainment
  • How major markets operate (US, UK, Germany, France)
  • Key industry players: publishers, labels
  • Core rights: sync, master, performance, mechanical
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02
TUE (17/11), 6 PM GMT
Copyright Law & Music Licensing Fundamentals

Learn the legal building blocks of music ownership and the exact clearance steps required for cover songs, samples and synchronised media.

  • Copyright and ownership fundamentals
  • How rights are divided and managed
  • Clearing rights for covers and samples
  • Key terms in licensing agreements
  • Discussion: Negotiating for fair compensation in licensing deals
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03
THU (19/11), 6 PM GMT
Music Rights & Ownership Research

Master how to locate and verify rights owners using industry databases, then build a tracking system and calculate SAG-AFTRA and AFM union fees.

  • Identifying rights owners and ownership structures
  • Industry tools and databases for verification
  • SAG-AFTRA and AFM union fee calculation
  • Rights management and record-keeping best practices
  • Demo: Researching ownership using music databases
  • Workshop: Calculate union fees and build a licensing tracker

Assignment #1: Rights Research & Clearance Report
Research the ownership of a commercially released song and prepare a full rights overview.

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04
TUE (24/11), 6 PM GMT
Licensing Music for Social Media

Differentiate between user-generated content and commercial licensing requirements on social platforms, then use AI tools to track how music gets used.

  • UGC versus commercial content licensing
  • Sourcing music for creators and brands
  • Monitoring and monetising unlicensed usage
  • Demo: ThirdChair
  • Case study: Notable music copyright infringement cases
  • Discussion: Whether AI tracking fairly compensates independent artists
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05
THU (26/11), 6 PM GMT
Music Licensing as Part of Brand Partnerships

Use audience segmentation data to match artists with brands, then calculate the ROI and financial structure behind multi-module marketing campaigns.

  • Licensing for brand and entertainment partnerships
  • Matching artists and music to audiences
  • Licensing across marketing and promotional activity
  • Rights requirements for branded content and live events
  • Measuring a successful collaboration
  • Demo: Calculating an artist collaboration across marketing modules
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06
TUE (1/12), 6 PM GMT
Music Licensing in Film & TV

Master the workflows, creative demands and placement strategies behind music supervision for television, cinema and trailers.

  • Licensing workflows across film and television
  • Sync licensing, soundtrack placements and scoring
  • Selecting and licensing music for TV
  • Music strategy for commercials and campaigns
  • Case study: The Last of Us, Monster, Dark, Stranger Things and James Blunt – One Hit Wonder
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07
THU (3/12), 6 PM GMT
Creative Music Search & Delivery to Clients

Interpret a creative brief and use Mewo.io to source, curate and pitch a platform-ready music shortlist that clients can approve immediately.

  • Finding the right music for any brief
  • Building and presenting licensing-ready shortlists
  • Mewo.io for professional music search
  • Choosing between covers, originals and samples
  • Workshop: Curate tracks and edit a video in Mewo.io with three song options

Assignment #2: Creative Music Search & Shortlist
Analyse a creative brief and submit a presentation with a 2–3 track shortlist, selection rationale, ownership requirements and cost estimates.

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08
TUE (8/12), 6 PM GMT
Managing Licensing Budgets & Financials

Build, forecast and manage a full project budget in MAIA Universe, and align every financial model with the deal's royalty structure.

  • Setting and managing a licensing budget
  • Working with finance and accounting teams
  • Forecasting royalty costs and revenue
  • Workshop: Budget management exercise using MAIA Universe

Assignment #3: Licensing Strategy & Budget
Build a five-slide presentation covering the licensing timeline, rights, usage scope, territory, budget and key risks for one song.

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09
THU (10/12), 6 PM GMT
Effective Communication & Negotiation Skills

Practise a live sync deal negotiation, balancing client budgets against rights-holder demands without damaging the relationship.

  • Negotiation strategies for licensing deals
  • Preparing for negotiations on rights, budget and timeline
  • Communicating with clients, rights holders and partners
  • Conflict resolution and stakeholder management
  • Workshop: Role-playing a real-world negotiation simulation

Assignment #4: Contract Review & Negotiation Memo
Review a sample licensing agreement and submit proposed revisions plus a one-page negotiation strategy memo.

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10
TUE (15/12), 6 PM GMT
Contract Drafting & Legal Considerations

Analyse and redline a standard licensing agreement to catch hidden financial risks, territory pitfalls and scope vulnerabilities before they cost you.

  • Key terms and their impact on a deal
  • How territory, duration and exclusivity shape a contract
  • Rights and obligations of every party
  • Common contract risks and how to avoid them
  • Workshop: Comparing negotiated terms against the final contract, with group feedback
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11
THU (17/12), 6 PM GMT
AI, Automation & Other Trends in Music Licensing

Build custom AI assistants and workflow automations that streamline rights research, project tracking and industry trend monitoring.

  • Trends shaping the licensing industry
  • Opportunities in gaming, virtual worlds and creator economies
  • AI's role in music discovery and rights management
  • Automating royalties, payments and contract workflows
  • Workshop: Build a licensing research assistant or automated tracker using ChatGPT, Claude or a custom GPT

Assignment #5: AI & Workflow Automation Challenge
Build two automations — one tracking weekly updates in your focus area, one improving a licensing workflow.

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12
TUE (22/12), 6 PM GMT
Networking & Career Opportunities in the Music Licensing Industry

Formulate a personalised job search, portfolio and B2B networking strategy to secure roles across labels, publishers and sync agencies.

  • Building a portfolio that demonstrates your value
  • Gaining experience through internships and entry points
  • Targeted job search strategy for licensing
  • Career paths across film, TV, gaming and advertising
  • Building credibility and a professional network
  • Job boards, events and hiring resources

Assignment #6: Industry Event Calendar
A one-page calendar listing 8–10 relevant conferences for your sector over the next 12 months.

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What our students say

Student Victoria Mansell
Victoria Mansell

MARKETING DIRECTOR
"It was such a great experience, well worth the course fee which I invested personally - I've learnt so much and feel much more confident in my role.."

Student Parag Deb
Parag Deb
BECOME AN AR/VR DESIGNER
"The course at ELVTR was a great investment in my career. The materials are top-notch, and the instructors provided excellent support."
Student Kiara De Leon Hernandez
Kiara De Leon Hernandez
UI/UX FOR GAMING
"The knowledge. The teacher is very experienced. He is able to answer our questions in depth, and takes the time to do so."
Student Youssef MN Aly
Youssef MN Aly
BECOME AN AR/VR DESIGNER
"The course was very helpful in helping me expand my design toolkits by gaining a wealth of new knowledge and inside expertise to stay at the forefront in an age of rapidly developing technological and software advancements."
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