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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

COMIC BOOK ARTIST COURSE

Dates: 26 AUG 2026 - 14 OCT 2026
Duration: 8 WEEKS
MONDAYS & WEDNESDAYS
6 PM BST
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

LIVE ONLINE COURSE ON COMIC BOOK ART

DATES:

26 AUG 2026 - 14 OCT 2026


DURATION:
8 WEEKS
MONDAYS & WEDNESDAYS
6 PM BST

Panel by panel, turn your stories into worlds readers can live in.

Design compelling characters and worlds with Neil Edwards, a veteran NYT-bestselling artist who has worked with leading brands in the industry including DC, Marvel, 2000AD, Lucasfilm, BBC, and Disney.

WHO THIS COURSE IS FOR

  • YOU ARE A COMIC BOOK, MANGA, OR GRAPHIC NOVEL ARTIST

     

    You’ve got the drawing chops, now make your art serve the story. We’ll help you think like a director on the page: guiding the reader’s eye, bringing characters to life as if they were actors, and shaping panels into a living narrative. Through story-focused exercises, you’ll grow your skills and elevate your practice.

  • YOU ARE A DIGITAL ILLUSTRATOR OR GRAPHIC DESIGNER

     

    You know how to create striking images, but telling a story panel by panel feels like a leap. This comic book art course gives you the fundamentals of visual storytelling, narrative flow, page direction, and world consistency, so you can turn your skills into sequential art that moves, breathes, and keeps readers hooked.

  • YOU ARE A COMIC WRITER

     

    Words are your forte, but what happens when your script lands in an artist’s hands? We’ll give you insight into the visual side of storytelling: how characters are staged, how pacing shapes tension, and why page design matters as much as dialogue. By understanding an artist’s process, you’ll sharpen your own and become a stronger collaborator.

YOUR ASCENT STARTS HERE

Your comic book portfolio starts here.

First sketch to finished page: learn every stage of comic creation. Practice anatomy, perspective, inking, and colouring while mastering visual direction and environmental design to bring stories to life.

Find your creative voice with expert guidance.

Turn imagination into something real with insights by a professional with 30 years in comics. Neil guides you step by step, joined by guest speakers, LIVE critiques, and 1:1 feedback to help you sharpen your craft.

 
ABOUT THE COURSE
01
ESSENTIAL TOPICS

We break down comic book storytelling from every angle; anatomy, layouts, pacing, backgrounds, panel flow, inking, and portfolio building. Every class is built to sharpen the skills editors look for, without wasting time on theory that never leaves the sketchbook.

02
LOTS OF PRACTICE

Through collaborative workshops and industry cases, you’ll learn how working comic artists solve story problems on the page. Analyse legendary inkers and colourists, experiment with different tools and techniques, and get practical feedback that pushes your work from “promising” to portfolio-ready.

03
PORTFOLIO PROJECT

Across 7 weeks, you’ll develop and complete a polished short comic sequence from rough script breakdown to finished sequential pieces. You’ll have 3 professional-grade pages that prove you can handle storytelling, pacing, composition, and deadlines like a working comic artist.

INSTRUCTOR

NEIL EDWARDS

LinkedIn Profile
  • Illustrated his first professional work for Marvel Comics in 1996, before becoming a freelance artist and later a Marvel exclusive illustrator.
  • His credits include iconic titles such as Marvel’s Fantastic Four, The Amazing Spider-Man, Avengers, DC’s Justice League, Superman, Batman, Green Lantern, and Suicide Squad. As well as extensive work on the Doctor Who and Assassin’s Creed series for Titan comics.
  • Created the artwork for Spider-Man: Season One, The New York Times bestselling graphic novel.
  • Collaborated with the biggest names in the industry, including DC Comics, Valiant Comics, Marvel Comics, Titan Comics, Dynamite Comics, Lucasfilm, BBC, 2000AD, Disney, Shortlist Magazine, among others.
  • Built a decades-long career spanning comics, graphic design, publishing, and licensed entertainment franchises across global audiences.
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syllabus
00
MON (24/8), 6 PM BST
Welcome Lesson

Meet your instructor, connect with fellow artists, and get a clear roadmap for the course ahead. Kick things off with a collaborative sketch challenge while learning how your final three-page portfolio project will develop across the programme.

  • Meet your instructor
  • Syllabus & assignment breakdown
  • Ice breaker exercise

Final Project:
Produce 3 pages of sequential art for your portfolio. These can be either finished pencils or inks.

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01
WED (26/8), 6 PM BST
Fundamentals: Introduction to Comic Book Art

Learn the core principles every comic artist needs, from sketch confidence to strong construction. Build figures from simple shapes and use perspective tools to turn the page into a believable world.

  • Exploring sketching
  • Roughing out shapes & doing warm-ups
  • Breaking down anatomy into shapes
  • Perspective basics & eye line structure
  • Perspective grids & how to use them
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02
WED (2/9), 6 PM BST
Comic Book Genres & Styles

Explore how different comic styles shape tone, audience, and storytelling impact. Begin defining your own creative voice by studying influences and mapping the artists, genres, and ideas that inspire you.

  • Different styles & storytelling
  • How styles reflect subject matter & audience
  • Crossover styles
  • Developing your personal style
  • Workshop: Share your influence map and discuss the inspirations behind your style

Assignment #1 (Choose One):
Option 1: Practice basic anatomy & putting figures into perspective.
Option 2: Learn by experimenting with a figure/character in a different style.

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03
MON (7/9), 6 PM BST
Sequential Art & Storytelling

Discover how to guide the reader through the page using pacing, composition, and dynamic layouts. Learn how panel choices, angles, and body language create emotion, clarity, and momentum.

  • Layout & its effect on storytelling
  • Pacing, perspective, dynamic angles
  • Panel layout, silhouettes, and composition
  • Character acting & body language
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04
WED (9/9), 6 PM BST
Workshop: Sequential Art & Storytelling

Refine your storytelling skills through professional critique and revision. Submit your work, identify weak points in the narrative, and learn how to strengthen clarity, pacing, and visual impact.

Assignment #2 (Choose One):
Option 1: Produce a page of layouts to demonstrate storytelling, with consideration for pacing and character interaction.
Option 2: Refine the work you submitted for critique, focusing on addressing suggestions made.

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05
MON (14/9), 6 PM BST
Working With Scripts & Comic Book Writing

Learn how to translate scripts into compelling visuals while working effectively with writers. Break down scenes, stage action clearly, and use text elements to support storytelling.

  • Breaking down script & scene blocking
  • Examples of working with scripts
  • Collaborating with writers
  • Speech bubbles and action text
  • Text types as a storytelling tool
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06
WED (16/9), 6 PM BST
Character Design & Development

Create characters that feel alive, memorable, and consistent on the page. Explore silhouette, costume, personality, and turnarounds to build designs with depth and purpose.

  • Capturing the essence of character and motivation
  • Exploring costume & clothing choices
  • Utilising silhouettes of characters
  • Investigation of examples of turnaround

Assignment #3 (Choose One):
Option 1: Break down a sample script to a rough stage.
Option 2: Practice different body shapes & motivation of character/personality.

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07
MON (21/9), 6 PM BST
Inking & Line Art

Master the craft of polished line work using professional inking techniques. Use line weight, texture, and shadow to add depth, focus, and atmosphere to your pages.

  • Inking techniques & examples
  • Linework, line weight, and lighting
  • Cross hatching and washes for depth and lighting
  • Halftone application
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08
WED (23/9), 6 PM BST
Backgrounds

Build worlds that make your stories feel real, immersive, and cinematic. Use perspective, texture, and atmosphere to create settings that support mood and narrative.

  • Backgrounds in grounding & believability
  • Perspective & backgrounds as storytelling techniques
  • Workshop: Sketch an environment inspired by sound using texture and atmosphere

Assignment #4 (Choose One):
Option 1: Break down a sample script to a rough stage.
Option 2: Practice drawing a selection of backgrounds (e.g., futuristic, modern day, fantasy).

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09
MON (28/9), 6 PM BST
Colour Theory & Application

Use colour as a storytelling weapon to shape emotion, drama, and time. Explore classic and modern colouring approaches while learning how palette choices influence the reader.

  • Colour application
  • Different colouring techniques
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10
WED (30/9), 6 PM BST
Digital Tools & Techniques

Streamline your workflow with industry-standard digital tools. Learn how to build pages efficiently in Clip Studio Paint, from layouts and brushes to lettering and final polish.

  • Setting up a page in Clip Studio
  • Brushes & examples
  • Lettering & colouring
  • From sketch, to pencils, to ink
  • Panel layouts & effects

Assignment #5 (Choose One):
Option 1: Practice different techniques on the same panel to explore different results.
Option 2: Practice setting up a page with a panel layout and rough out page.

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11
MON (5/10), 6 PM BST
Graphic Novels

Explore the creative demands of longer-form storytelling and how they differ from shorter comic formats. Learn to structure arcs, manage pacing, and sustain reader interest across larger page counts.

  • Storytelling methods
  • Pros & cons of different methods
  • Weekly, monthly, and novel storytelling
  • Character-based and cliffhanger storytelling
  • Page count & story structure for graphic novels
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12
WED (7/10), 6 PM BST
Portfolio Development & Presentation

Prepare for the business side of comics by learning how to position your work professionally. Understand publishers, self-publishing routes, pitches, and how to present your portfolio with confidence.

  • The business side of comics
  • Target audiences
  • Submitting examples & pitches to publishers
  • The self-publishing route
  • Research & relationships

Assignment #6 (Choose One):
Option 1: Show your format of preference, providing examples to explain your choice.
Option 2: Define your ideal target audience and explain why.

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13
MON (12/10), 6 PM BST
Workshop: Portfolio Development & Presentation

Polish your final portfolio project through focused peer review and expert feedback. Strengthen presentation, storytelling, and technical quality before submission.

Assignment #7:
Based on the feedback you received in the workshop, focus on amending your pages.

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14
WED (14/10), 6 PM BST
Industry Insights & Future Directions + Guest Speaker

Gain an insider view of today’s comic industry, from publishing realities to future opportunities. Explore networking, emerging markets, and how new technology is reshaping the field.

  • Risks & rewards of Marvel/DC & self-publishing
  • Networking
  • The future of comics/graphic novels
  • Exploration of side industries
  • Impact of AI on the industry

Final Project:
Produce 3 pages of sequential art for your portfolio. These can be either finished pencils or inks.

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What our students say

Student Victoria Mansell
Victoria Mansell

MARKETING DIRECTOR
"It was such a great experience, well worth the course fee which I invested personally - I've learnt so much and feel much more confident in my role.."

Student Parag Deb
Parag Deb
BECOME AN AR/VR DESIGNER
"The course at ELVTR was a great investment in my career. The materials are top-notch, and the instructors provided excellent support."
Student Kiara De Leon Hernandez
Kiara De Leon Hernandez
UI/UX FOR GAMING
"The knowledge. The teacher is very experienced. He is able to answer our questions in depth, and takes the time to do so."
Student Youssef MN Aly
Youssef MN Aly
BECOME AN AR/VR DESIGNER
"The course was very helpful in helping me expand my design toolkits by gaining a wealth of new knowledge and inside expertise to stay at the forefront in an age of rapidly developing technological and software advancements."
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