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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

PRODUCTION MANAGEMENT FOR ANIMATION

Dates: 27 MAY 2026 - 20 JUL 2026
Duration:

9 WEEKS
MONDAYS & WEDNESDAYS
4:30 PM BST

CHRISTIAN ROEDEL
SONY PICTURES ANIMATION, EX-DREAMWORKS ANIMATION
Christian Roedel
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE ON PRODUCTION MANAGEMENT FOR ANIMATION
DATES:
27 MAY 2026 - 20 JUL 2026
DURATION:
9 WEEKS
MONDAYS & WEDNESDAYS
4:30 PM BST

Bridge the gap between vision and execution. Lead teams, track assets, and turn creative chaos into studio-ready pipelines.

All under the guidance of Christian Roedel, an Animation Producer with 20+ years of experience who contributed to iconic titles such as Puss in Boots and the Madagascar franchise.

WHO THIS COURSE IS FOR

  • YOU ARE A PRODUCTION COORDINATOR OR ASSISTANT

     

    Ready to level up from coordination to management? Learn how to run production schedules, support teams, and oversee pipelines with confidence, while gaining the industry insight and practical tools that make you promotion-ready.

  • YOU ARE AN ANIMATION PRODUCTION MANAGER OR PRODUCER

     

    Looking to step up your game or land that next promotion? This animation production management course equips you with the practical skills, pipeline insights, and leadership know-how to manage animation projects efficiently, and position yourself for higher-level opportunities in the studio.

  • YOU ARE AN ART DIRECTOR, LINE PRODUCER, OR FREELANCER LOOKING TO ENTER ANIMATION

     

    Want to break into animation or strengthen your freelance brand? Gain an insider’s view of studio pipelines, team dynamics, and production processes, plus the guidance and networks you need to start your own studio, build your career, or elevate your independent projects.

YOUR ASCENT STARTS HERE

Plan the pipeline & steer the production.

From storyboards to final pixels. Get hands-on with scheduling, asset tracking, pipeline design, and cross-department coordination, everything it takes to run an animated project like a studio pro.

Animation vision meets operational expertise.

Your love for animation meets production skills through practical assignments, real-world scenarios, and LIVE feedback from an industry expert with experience at Sony, DreamWorks, and beyond.

 
ABOUT THE COURSE
01
FULL PIPELINE
We cover every stage of production management. Each lesson dives into real studio workflows, from pre-production blueprints to final delivery, so you learn the practical skills that keep an animated project on track, on budget, and on schedule.
02
INDUSTRY INSIGHTS
Insider sessions show how animation studios really operate. Learn to manage teams, schedules, budgets, and client expectations while supporting creative vision, with the tips from an experienced professional from top studios.
03
FINAL PROJECT
Develop a comprehensive end-to-end production plan for a short animated film and present it with all the supporting documents. That’s a professional-grade showcase that proves you can manage a project from concept to delivery and strengthen your portfolio.
INSTRUCTOR
Christian Roedel LinkedIn Profile
  • Animation Producer, currently Co-Producer at Sony Pictures Animation, ex-DreamWorks Animation & Ilion Animation Studios in Spain
  • Produces animated features and shorts at global studios, currently developing a theatrical film at Sony Pictures Animation
  • Contributed to major DreamWorks Animation projects including Boss Baby, Puss in Boots (and sequel), Home, and the Madagascar franchise over a decade-long tenure
  • Co-produced Genndy Tartakovsky’s R-rated comedy Fixed and the short Monster Pets, delivering high-quality storytelling and franchise continuity
  • Led production on Wonder Park at Ilion Animation Studios and oversaw development projects and shorts at Sony Pictures Animation
  • Began career bridging animation and live-action at Jim Henson Productions and Sesame Workshop; holds a degree in Film Animation from Pratt Institute
Instructor Christian Roedel
syllabus
00
TUE (26/5), 4:30 PM BST
Welcome Lesson

In this intro lesson, you’ll get clarity on how this course is structured, how the assignments build toward your final project, and what “thinking like a Production Manager” really means in practice.

  • Meet your instructor
  • Course structure
  • Assignments & final project overview
  • Q&A
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01
WED (27/5), 4:30 PM BST
An Introduction to the Power of Production

Production isn’t administration, it’s alignment. In this class, we define what production management truly owns, how it differs from directing and animating, and how creative vision, technical execution, and logistics intersect. You’ll begin to see where authority lives, and how production becomes a leadership path.

  • Production management role & responsibilities
  • Production vs direction vs animation
  • Creative vision, technical execution, & logistical realities
  • Career paths & entry points
  • Studio vs. vendor vs. freelance ecosystem
  • Breakout Room: Icebreaker – Share your favorite animated film/series/moment and discuss

Assignment #1: A Case Study on Spider-Verse
Analyse scheduling, approvals, and risk decisions from provided materials and post insights on Discord.

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02
MON (1/6), 4:30 PM BST
From Blueprint to Pixels: How Production Brings Ideas to Life

Ideas don’t become films by accident. We’ll break down the animation pipeline and examine how Production Managers track workflow, anticipate bottlenecks, and protect quality while managing cost and schedule. You’ll start recognising where small decisions create major downstream impact.

  • Three main stages of the animation pipeline
  • Front-end vs back-end production models
  • Hybrid & virtual production workflows
  • Time zones, distributed production, & cross-studio coordination
  • Bottlenecks, blockers & optimisation strategies
  • Case Study: DreamWorks pipeline analysis
  • Side Quest #1: Animation pipeline
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03
WED (3/6), 4:30 PM BST
The Dream Team Directive: Production Structure & Team Culture

Strong productions are built on strong relationships. Explore how departments are structured, how handoffs succeed or fail, and how leadership behaviours reduce friction. You’ll learn how Production Managers protect morale while maintaining accountability.

  • Department structures and setups
  • Responsibilities & handoffs of departments
  • Team dynamics & effective communication styles
  • Leadership, motivation, & conflict resolution
  • Breakout Room: Discuss which department interest you and why

Assignment #2: The Production Lens
Write a 1-page analysis of a past team experience through a production lens and propose a 1-page team-building strategy.

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04
MON (8/6), 4:30 PM BST
Teamwork Makes the Film Work: Collaboration Across Departments + Demo

Production lives in the space between departments. Take a practical look at how work, feedback, and approvals move across the pipeline, and where communication either protects or derails progress. You’ll learn how Production Managers maintain clarity, reduce friction, and preserve long-term working relationships under pressure.

  • Cross-department communication practices
  • Review & approval protocols
  • Production & creative note hygiene
  • Collaboration tools & platforms in pipelines
  • Conflict mediation, escalation paths, & resolution strategies
  • Demo & Breakout Room: SyncSketch — writing, organising, and tracking actionable notes

Assignment #3: Introduction to SyncSketch
Submit a 1-page reflection on how SyncSketch supports daily workflows, where it fits in the pipeline, and which roles interact with it.

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05
WED (10/6), 4:30 PM BST
Script & Story: Where Animation Begins

Every production challenge starts with a story decision. Examine how ideas move from concept to script to boards and how Production Managers support creative iteration without losing schedule control. You’ll analyse how narrative choices directly shape staffing, scope, and downstream risk.

  • Evolution of ideas: Concept to script to storyboards
  • Screening cycles & creative iteration
  • Mission-critical responsibilities
  • Scheduling & staffing logistics
  • Narrative & creative choices
  • Change, feedback, & creative pressure
  • Breakout Room: Review a short script excerpt or logline
  • Side Quest #2: Disney Animation’s Head Of Story
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06
MON (15/6), 4:30 PM BST
Editorial Foundations: Understanding the Story Behind Editing

Editorial is where a film finds its rhythm. We’ll explore how screenings reshape structure, how notes evolve across versions, and how editorial decisions ripple across the pipeline. You’ll learn the vocabulary, workflows, and signals Production Managers use to assess schedule health and creative risk.

  • Editorial connects story & picture
  • Screening cycles & note types
  • Versioning, recuts & structural changes
  • Cross-department editorial collaboration
  • Downstream impact of reordering sequences
  • Editorial morale & schedule signals
  • In-Class Quiz: Terminology & pipeline literacy
  • Side Quest #3: Editorial pipeline
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07
WED (17/6), 4:30 PM BST
Editorial in Practice: Working with the Cut + Workshop

Now you step into the role. In this simulation, you’ll analyse a scene, debate solutions, and translate creative notes into production-ready actions. The focus is clarity: protecting director intent while keeping teams aligned and on schedule.

  • Writing clear, actionable screening notes
  • Differentiating story, pacing, & character notes
  • Identifying downstream production & pipeline impacts
  • Prioritising critical notes vs. “note-dumping.”
  • Communicating in editorial & production language
  • Supporting director's intent vs. personal taste
  • Communicating to leadership & external vendors
  • Workshop: Screening simulation

Assignment #4: Editorial Reflection
Write a 1-page analysis of key editorial decisions, downstream impacts, and how iteration affects schedule and morale.

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08
MON (22/6), 4:30 PM BST
Creative Screenings: Scheduling, Feedback, & Creative Reviews + Workshop

Screenings are the heartbeat of animation production. Learn how Production Managers design screening cadences that balance creative exploration with schedule discipline. We’ll examine how iteration windows, approvals, and risk buffers shape delivery momentum.

  • Story ↔ editorial ↔ screening feedback loop
  • Types of screenings & approval gates
  • Notes cycles & recut windows
  • Risk periods & scope changes
  • Vendor coordination for deliveries
  • Scheduling for morale & sustainability
  • Workshop: Design a short-form screening schedule based on a simplified production scenario

Assignment #5: Expanding the Screening Schedule
Develop a feature-scale screening plan including iteration windows, approval gates, buffers, and risk mitigation strategies.

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09
WED (24/6), 4:30 PM BST
Visual Development: Supporting & Empowering Artistic Vision + Demo & Workshop

Visual development defines the world of the film and quietly defines its cost and complexity. We’ll explore how Production Managers support exploration while translating design decisions into asset readiness and schedule impact.

  • Script → visual development → production flow
  • World-building, characters, props & environments
  • Production Designer vs. Art Director roles
  • Early-stage iteration & creative churn
  • Translating design into asset lists
  • Downstream implications for build departments
  • Demo: Shotgrid
  • Workshop: Receive a short logline or a 1–2 page script excerpt and identify production implications
  • Side Quest #4: Navigating ShotGrid
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10
MON (29/6), 4:30 PM BST
Design to Build: Modelling, Surfacing, & Rigging for Production

This is where concepts become production-ready assets. We’ll examine how modeling, surfacing, and rigging workflows affect scope, schedule, and vendor strategy. You’ll learn to assess asset complexity and determine production readiness before problems compound.

  • Visual development
  • Character, set, & prop asset categories
  • Hero, background, & reusable asset prioritisation
  • Complexity drivers, change orders & revision cycles
  • Internal vs. vendor build strategies
  • Asset tracking & approvals
  • Cross-department handoffs & production readiness
  • Breakout Room: Asset complexity list

Assignment #6: Script to Asset List
Create an asset list with categories, complexity considerations, and build recommendations.

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11
WED (1/7), 4:30 PM BST
Camera & Layout: Translating Story into Previs & Shots + Workshop

Previs and layout turn narrative intent into measurable scope. You’ll analyse shot complexity, staging, and camera decisions, and learn how Production Managers forecast workload, vendor bids, and staffing from this phase.

  • Storyboards → editorial → previs/layout workflow
  • Camera language & staging fundamentals
  • Shot counts & breakdown strategies
  • Complexity drivers (FX, crowds, action)
  • Layout review cycles & turnovers
  • Vendor vs. internal previs models
  • Workshop: Shot complexity mapping
  • Side Quest #5: How the intangible becomes tangible
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12
MON (6/7), 4:30 PM BST
Animation to Final Picture: Performance, Notes, & Pipeline Flow

This is where shots mature into final pixels. We’ll examine how Production Managers operate within vendor pipelines, managing turnovers, prioritising notes, tracking deliveries, and balancing creative intent with time and cost realities.

  • Animation → lighting/FX → render → comp flow
  • Client ↔ vendor communication protocols
  • Turnovers, deliveries & tracking tools
  • Performance vs. technical notes
  • Shot status gating & approvals
  • FX spikes & scheduling risk
  • In-Class Roleplay: Client–vendor negotiation
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13
WED (8/7), 4:30 PM BST
Post, Sound, & Delivery: QC, Approvals, Final Assets

As picture locks, pressure peaks. We’ll explore how sound, music, ADR, colour, QC, and delivery converge — and how Production Managers ensure creative quality while meeting technical and contractual requirements.

  • Editorial lock & post turnover
  • Sound design, scoring & ADR workflows
  • DI & colour finishing
  • Quality control & compliance checks
  • Delivery specs (streaming, broadcast, theatrical)
  • Localisation & accessibility requirements
  • Final assets, marketing pulls & archival
  • Side Quest #6: Post-production
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14
MON (13/7), 4:30 PM BST
Production Management Focus: Budgets, Legal, Vendors, Clients, Forecasting

This is where coordination becomes leadership. We’ll examine how budgets, contracts, scope negotiations, and executive communication shape creative decisions. You’ll learn how to describe risk with data, protect morale, and think like a producer.

  • Budget & schedule communication
  • Executive-level reporting
  • Scope negotiation & concessions
  • Data-driven risk forecasting
  • Translating creative change into cost impact
  • Leadership mindset shift: coordinator → producer
  • Side Quest #7: Business & leadership perspective
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15
WED (15/7), 4:30 PM BST
From Classroom to Studio: Building a Career in Production Management

Talent gets noticed when it’s articulated clearly. In this session, we focus on translating production experience into role-ready CV language, portfolio materials, and confident interview storytelling.

  • Career paths across studios & vendors
  • CV structure for production roles
  • Portfolio materials & production documentation
  • Interview storytelling & impact framing
  • Networking & professional presence
  • Breakout Room: Translating coursework into CV language
  • Side Quest #8: Interview techniques
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16
MON (20/7), 4:30 PM BST
Final Project: Presenting as a Production Manager

This is your rehearsal for the studio floor. You’ll present your project as a Production Manager would — explaining decisions, constraints, trade-offs, and outcomes with clarity and authority. The focus is communication, reflection, and professional presence.

  • “Mock presentations” for final project
  • Breakout Room: Presentation practice

Assignment #7: Career Translation Reflection & Final Production Plan
Submit final projects and a reflection translating key outcomes into role-ready CV and portfolio language.

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What our students say

Student Victoria Mansell
Victoria Mansell

MARKETING DIRECTOR
"It was such a great experience, well worth the course fee which I invested personally - I've learnt so much and feel much more confident in my role.."

Student Parag Deb
Parag Deb
BECOME AN AR/VR DESIGNER
"The course at ELVTR was a great investment in my career. The materials are top-notch, and the instructors provided excellent support."
Student Kiara De Leon Hernandez
Kiara De Leon Hernandez
UI/UX FOR GAMING
"The knowledge. The teacher is very experienced. He is able to answer our questions in depth, and takes the time to do so."
Student Youssef MN Aly
Youssef MN Aly
BECOME AN AR/VR DESIGNER
"The course was very helpful in helping me expand my design toolkits by gaining a wealth of new knowledge and inside expertise to stay at the forefront in an age of rapidly developing technological and software advancements."
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