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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

THEATRE PRODUCTION MANAGEMENT

Dates: 13 JAN 2027 - 22 FEB 2027
Duration: 6 WEEKS
TUESDAYS & THURSDAYS
5 PM GMT
ALYSHA LAVINIERE
HEAD OF PRODUCTION
Alysha Laviniere
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE ON MANAGING THEATRE PRODUCTIONS
DATES:

13 JAN 2027 - 22 FEB 2027


DURATION:
6 WEEKS
TUESDAYS & THURSDAYS
5 PM GMT

Every great show runs on someone the audience never sees. Step into that role and learn to carry a production from its first budget to its final curtain call. 

Alysha Laviniere, Head of Production at Kiln Theatre and former production manager at the Young Vic and Royal Court, will show you how to run a show on time, on budget and safely.

THIS COURSE IS FOR YOU, IF...

  • YOU ARE A PRODUCTION ASSISTANT OR JUNIOR PRODUCTION MANAGER

     

    Handling daily tasks hasn't prepared you to own a full production timeline or budget. This theatre production course trains you in master scheduling with time buffers, nominal budgeting, cost tracking, risk assessments, and crisis protocols. You'll leave with the frameworks and documentation skills needed to step up into a senior production role.

  • YOU ARE A THEATRE TECHNICIAN, DESIGNER, PERFORMER, OR STAGE MANAGER

     

    Your expertise stops at the edge of your own department. This theatre production training shows how sets, props, costumes, lighting, sound, and rehearsals connect, through hands-on work with tech plots, props costings, and show-calling protocols. You'll gain the full-production view that cross-department collaboration and a move into production management demand.

  • YOU ARE AN EVENT MANAGER OR COORDINATOR

     

    Your event experience doesn't cover theatre's hierarchy, terminology, or safety regulations. This course translates your skills into theatre-specific practice, covering multi-phase theatrical timelines, departmental line items, fit-up risks, and live performance emergency protocols. You'll leave able to apply your delivery experience to production roles across the performing arts.

YOUR ASCENT STARTS HERE

Plan, budget and deliver a show from page to stage.

You'll build a complete production plan covering a design pack, staffing plan, budget and costings, production schedule, technical specifications, risk assessment, and contingency plan. Along the way, you'll read lighting and sound plots, practise show-calling protocols, and stress-test your schedule against a delayed fit-up. 

Live workshops. Direct feedback. Real production problems.

Five live workshops put you in breakout rooms with your cohort to resolve creative clashes, map fit-up hazards, and manage simulated show stops. Office hours before class and a 30-minute 1:1 with Alysha Laviniere keep your questions answered as your plan takes shape. 

 
ABOUT THE COURSE
01
HANDS-ON PRODUCTION PRACTICE

Ten assignments have you build the core paperwork of a working production: role lists, production and rehearsal schedules, costing documents, props lists, and cue sheets. Five live workshops add role-played conflict scenarios, fit-up hazard reviews, and group crisis drills.

02
INSIGHT FROM WORKING THEATRES

Learn how production departments really operate from the Head of Production at Kiln Theatre, with guest speakers adding further industry perspectives. A dedicated careers class maps the routes into production management and the networking strategies that help you progress. Your 1:1 session gives you direct advice on your own next step.

03
YOUR COMPLETE PRODUCTION PLAN

Your final project is a comprehensive production plan with a design pack, timeline, budget, staffing plan, technical specifications, risk assessment, and contingency plan. It's the same document a working Production Manager presents to a theatre or producer. You leave with a portfolio piece that proves you can take a show from concept to stage. 

INSTRUCTOR
Alysha Laviniere LinkedIn Profile
  • Leads production as Head of Production at Kiln Theatre, overseeing budgeting, scheduling, and health and safety
  • Manages the daily running of Kiln Theatre's Production Department
  • Held previous production management roles at the Young Vic and Royal Court Theatre
  • Appeared on episode 4 of the Behind the Curtains podcast
  • Serves as an Amplify Mentor with Tangle Theatre
  • Featured in the Royal Court Theatre's Women Offstage workshop series
Instructor Alysha Laviniere
syllabus
00
TUE (12/1), 5 PM GMT 
Welcome Lesson

Meet your instructor, explore how the course is structured, and get a complete roadmap of the assignments and final project you'll be working towards over the next seven weeks.

  • Meet your instructor
  • Course structure
  • Assignments and final project overview
 
 
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01
THU (14/1), 5 PM GMT 
Backstage Boss: Understanding the Roles & Responsibilities in Theatre Production

Learn how a production team is structured, how key relationships work across every show phase, and how to resolve creative clashes without letting them inflate your budget.

  • Production management vs other roles
  • Pre-production, production and post-production roles
  • Working with creative and technical teams
  • Hiring creative and technical teams
  • Balancing creativity with production constraints
  • Workshop: Role-playing and resolving production conflict scenarios

Assignment #1: Production Roles and Budget Impact
List every creative and technical role a hypothetical production needs and consider how each one affects the budget.

 
 
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02
TUE (19/1), 5 PM GMT 
Mastering the Clock: Scheduling, Timelines & Organisational Protocols

Discover how to build rock-solid production schedules with built-in time buffers, plan for live performance contingencies, and keep your show on track when plans inevitably shift.

  • Production timeline planning
  • Live performance scheduling
  • Contingency planning and time buffers
  • Building adaptability into schedules
  • Workshop: Building and presenting a full production timeline in groups

Assignment #2: Production Schedule
Create a production schedule for a hypothetical production.

 
 
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03
THU (21/1), 5 PM GMT 
Balancing the Books: Budgeting and Cost Tracking

Master the financial side of production by forecasting costs accurately, allocating funds across departments, and building budget documents that hold up when circumstances change.

  • Key budget components
  • Cost forecasting and estimation
  • Departmental budgeting

Assignment #3: Costing Document
Create a costing document with nominal budgets for a hypothetical production.

 
 
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04
TUE (26/1), 5 PM GMT 
Sets, Props & Costumes: Managing the Visual Story

Explore how to turn creative visions into physical reality by managing the logistics, procurement, safety, and maintenance of sets, props, and costumes throughout a production.

  • Converting visions to visuals
  • Sets, props and costumes in storytelling
  • Creating, sourcing and managing items
  • Maintenance and safety precautions
  • Production logistics

Assignment #4: Props List and Costings
Make a props list with rough costings for a hypothetical production, deciding whether each item should be sourced or made.

 
 
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05
THU (28/1), 5 PM GMT 
Lights & Sound 101: What Every Production Manager Needs to Know

Learn to read technical plots, evaluate essential lighting and sound equipment, and guide designers and tech crews efficiently from the first rehearsal to the final performance.

  • Key lighting and sound equipment
  • Reading technical drawings
  • Working with lighting and sound designers
  • Managing the tech crew
  • Workshop: Listing lighting and sound fixtures from a set design

Assignment #5: Lighting and Sound Plan Review
Study lighting and sound plans and note any issues or suggestions you'd raise as a Production Manager.

 
 
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06
TUE (2/2), 5 PM GMT 
Rehearsal Room Strategies: Communication, Efficiency & Tech Run Prep

Streamline communication between creative and technical departments, set clear rehearsal objectives, and prepare every team for a smooth transition from early rehearsals into technical runs.

  • Rehearsal schedules and objectives
  • Creative and technical team communication
  • Preparing teams for rehearsals
  • Tech rehearsal cue coordination

Assignment #6: Rehearsal Schedule
Create a detailed rehearsal schedule for a hypothetical production.

 
 
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07
THU (4/2), 5 PM GMT 
Running the Show: Performance Protocols & Show Calling

Master the communication protocols of live performance, including the industry procedures for calling cues, and learn how to keep control when something goes wrong on stage.

  • Show-calling protocols and terminology
  • Show-calling responsibilities
  • Communication during performances
  • Handling on-stage mishaps

Assignment #7: Cue List
Watch a clip from a recorded performance and list every cue required.

 
 
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08
TUE (9/2), 5 PM GMT 
Health and Safety Compliance & Care

Develop the skills to spot hazards, meet legal compliance requirements, and write thorough risk assessments that protect your cast, crew, and venue during fit-ups and live performances.

  • Safety regulations
  • Insurance and liability
  • Emergency preparedness
  • Completing a risk assessment
  • Workshop: Identifying and mitigating fit-up hazards

Assignment #8: Risk Observation
Watch a clip from a recorded performance, note the risks you observe, and outline how you'd manage them.

 
 
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09
THU (11/2), 5 PM GMT 
When Things Go Wrong: Crisis Management in Live Theatre

Practise high-stakes decision-making and emergency protocols for handling technical failures, on-stage accidents, and schedule delays in real time while keeping the show under control.

  • Technical failures and disruptions
  • Rapid decision-making and schedule adjustments
  • On-stage accidents and injuries
  • Show stops
  • Emergency protocol communication
  • Workshop: Solving live crisis scenarios, including audience management

Assignment #9: Delayed Schedule Rework
Reconfigure your production schedule as if your fit-up or tech rehearsals were delayed.

 
 
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10
TUE (16/2), 5 PM GMT 
After the Curtain Falls: Evaluation, Feedback & Reporting

Discover how to analyse post-show data from cast, crew, audiences, marketing, and box office, then use it to run effective debriefs and improve future productions.

  • Post-production evaluations and debriefs
  • Qualitative and quantitative feedback
  • Cast and crew reports
  • Audience and marketing feedback
  • Ticket sales analysis

Assignment #10: Feedback Response Plan
Using hypothetical feedback, decide how you'd respond and what action should be taken.

 
 
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11
THU (18/2), 5 PM GMT 
Beyond the Stage: Career Paths & Professional Growth in Theatre Production

Map your career trajectory in theatre production management and pick up practical strategies for building industry connections and committing to continuous professional development.

  • Career paths in production management
  • Networking strategies
  • Building industry connections
  • Continuous development and learning
 
 
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12
MON (22/2), 5 PM GMT 
Course Recap and Q&A

Consolidate everything you've learned across the course, clarify your key takeaways in an open Q&A, and finalise your preparation for working in theatre production.

  • Course recap
  • Q&A
 
 
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What our students say

Student Victoria Mansell
Victoria Mansell

MARKETING DIRECTOR
"It was such a great experience, well worth the course fee which I invested personally - I've learnt so much and feel much more confident in my role.."

Student Parag Deb
Parag Deb
BECOME AN AR/VR DESIGNER
"The course at ELVTR was a great investment in my career. The materials are top-notch, and the instructors provided excellent support."
Student Kiara De Leon Hernandez
Kiara De Leon Hernandez
UI/UX FOR GAMING
"The knowledge. The teacher is very experienced. He is able to answer our questions in depth, and takes the time to do so."
Student Youssef MN Aly
Youssef MN Aly
BECOME AN AR/VR DESIGNER
"The course was very helpful in helping me expand my design toolkits by gaining a wealth of new knowledge and inside expertise to stay at the forefront in an age of rapidly developing technological and software advancements."
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