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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

THEATRE PRODUCTION MANAGEMENT

Dates: 22 OCT 2025 - 1 DEC 2025
Duration: 6 WEEKS
MONDAYS & WEDNESDAYS
6 PM BST
SARAH O’CONNOR
ROYAL BALLET AND OPERA
Sarah O'Connor
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE ON THEATRE PRODUCTION MANAGEMENT
DATES:

22 OCT 2025 - 1 DEC 2025


DURATION:
6 WEEKS
MONDAYS & WEDNESDAYS
6 PM BST

Curtains up! Learn to manage the full lifecycle of a theatre production with confidence.

Meet Sarah O’Connor, a production manager at the Royal Ballet and Opera, and your guide through the whole process – sharing real-world tips and backstage insights into the industry.

WHO THIS COURSE IS FOR

  • YOU ARE A DEPUTY/JUNIOR PRODUCTION MANAGER

     

    Struggling to get a grip on budgets, schedules, or safety? This theatre production course equips you to master the full production lifecycle, build airtight plans, and confidently lead creative and technical teams through every stage of the show.

  • YOU ARE A PM LOOKING TO SHARPEN YOUR SKILLS

     

    Feeling stuck in the day-to-day without growing your craft? Refine your expertise in budgeting, risk management, and sustainable practices. Leave with polished, professional-grade plans, and the confidence to step into higher-level roles.

  • YOU ARE A THEATRE PRO

     

    You know your role inside out, but want to better understand how productions run from all angles. This course gives you clarity on the full process, with insights into sustainable practices, contractor and crew management, and the logistics that keep a show running smoothly.

YOUR ASCENT STARTS HERE

This is your showstopper moment: Manage the next West End hit.

Spotlight’s on you: develop rock-solid production plans, handle budgets like a pro, and navigate health and safety without breaking a sweat. With real-world theatre production training, you’ll be ready to run any show with poise.

Live online, directed by a true industry lead.

Join Sarah in interactive, real-time sessions where questions get answered and problems get solved, just like the fast-paced theatre world itself. Network with fellow theatre lovers and get personalised guidance to refine your craft, wherever you are.

 
ABOUT THE COURSE
01
PRACTICAL LEARNING

Roll up your sleeves and get into the nitty-gritty of production management. Tackle real-world assignments like drafting safety files, costing scenery, and planning tech schedules. Each workshop mirrors on-the-ground challenges, giving you the confidence to handle anything backstage throws at you.

02
CAREER GUIDANCE

Step behind the curtain with guest speakers from across the industry and get one-on-one mentorship from Sarah. You’ll learn how to spot opportunities, avoid common pitfalls, and position yourself for career growth, whether you're climbing the ranks or pivoting into production management.

03
FINAL COURSE PROJECT

You’ll wrap the course with a full-scale production plan for a hypothetical (or real) show, complete with budgets, schedules, safety protocols, and technical specs. It’s a portfolio piece and proof that you’re ready to take the lead on any stage, anywhere.

INSTRUCTOR
SARAH O’CONNOR LinkedIn Profile
  • Production Manager at the Royal Ballet and Opera, currently working on Barrie Kosky’s new Ring Cycle.

  • Has led productions for Brand New Ancients (BAC & UK Tour), Sunset at the Villa Thalia (National Theatre), The Inheritance, Life of Galileo and 12th Night (Young Vic), and more.

  • Worked at venues such as Battersea Arts Centre, National Theatre, and the Young Vic.
Instructor Sarah O'Connor
syllabus
00
MON (20/10), 6 PM BST
Welcome Lesson

Kick things off by meeting your instructor, getting the lay of the land, and seeing what we’ve prepared. We’ll break down the course, the assignments, and the final project, so you know exactly what’s ahead. 

  • Meet your instructor
  • Course structure 
  • Assignments & final project overview
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01
WED (22/10), 6 PM BST
Intro to the Theatre Production Manager Role

Get to know the production manager’s key responsibilities: juggling timelines, communicating with producers, setting parameters, and getting people on board with just the right words.

  • Shifting responsibilities within the process
  • Language & persuasion
  • Timelines & early scheduling
  • Working with producers
  • The importance of parameters

Assignment #1: Considering the assigned case study, list what you would include in a report to the producers. 

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02
MON (27/10), 6 PM BST
Managing Creative Ideas

Learn how to spot which ideas are worth keeping, which need a Plan B, and how to steer creative chaos into something that works.

  • From white card to final design
  • Dealing with ideas that don’t work 
  • Detail, durability, audience distance
  • Balancing creativity within production constraints & structure 
  • Handling disputes & managing different creative visions 
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03
WED (29/10), 6 PM BST
Sustainability & Green Book

Learn how to keep your production lean, green, and on-budget: from getting team buy-in to tracking your carbon impact without losing creative momentum.

  • Introducing Green Book principles
  • The producer’s role in securing team buy-in 
  • Integrating sustainable design & navigating evolving products
  • Balancing budget & eco-friendly choices 
  • Carbon tracking & reporting
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04
MON (3/11), 6 PM BST
Set & Scenery

Draft specifications, choose appropriate builders, identify potential issues, and manage the pre-build process. Figure out what to draw, who to hire, and when to stop tinkering, so your set looks brilliant and gets built on time.

  • Tendering, scenery specifications, construction methods
  • Common pitfalls & things to watch for
  • Scenic art & scenery in rep 
  • What to leave to a production carpenter & what to do in advance
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05
WED (5/11), 6 PM BST
Managing Contractors

Learn how to find the right people, keep them on the same page, and stay cool when things go sideways. This session is all about managing contractors, hiring, and handling curveballs.

  • Building your contact base & choosing a quote
  • Managing changes to design
  • Dealing with the unexpected
  • Specialists and external experts
  • Overseeing hires
  • Workshop: Brainstorming contractors for a production shot

Assignment #2: Write a costing package/scenery spec for a contractor, based on the assigned case study.

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06
MON (10/11), 6 PM BST
Beyond Set: Props, Costume & Technical 101

When it’s not about the set, it’s everything else. Peek behind the curtain and get a grip on the trickier bits — lights, sound, video, props, and costumes. Learn what can go wrong, and how to keep it all running right.

  • Major flags for a PM 
  • Lighting, sound, video 
  • Managing special effects
  • Props 
  • Costumes in action 

Assignment #3: Invent a brief/designer request under each of the topics discussed in the class, indicating the impact this will have on the schedule & budget.

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07
WED (12/11), 6 PM BST
Health & Safety and CDM

Get hands-on with the not-so-glam side of production, which is health, safety, and legal stuff. Learn how to keep your set safe by tackling risk assessments, safety files, and tricky licensing requirements for everything from kids to pyrotechnics.

  • CDM definition & introduction 
  • Risk assessment at the White Card phase
  • Scenery Specs as safety management 
  • Build method statements& production safety files
  • Licensing considerations & reporting
  • Case Study: Rigoletto 

Assignment #4: Create a safety file, incorporating the design elements from Lesson 6.

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08
MON (17/11), 6 PM BST
Schedules & Budgets

Get smart with time and money. Learn how to forecast costs, build solid budgets, realistic schedules, and contingency plans that won’t fall apart the moment things go sideways.

  • Scheduling, contingency planning, time buffers
  • Union agreements & best practices for welfare and safety
  • Cost forecasting & estimation
  • Budgeting for different departments
  • Budget contingency: Who should hold it, how much and for how long?
  • Workshop: Estimating the budget & expenses

Assignment #5: Build a budget for a show/set including appropriate contingencies.

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09
WED (19/11), 6 PM BST
Venue Management, Touring & Transfers

Learn how to move a show without losing the magic — juggling venues with schedules, adapting sets, and syncing with on-site crews.

  • Communication with venue owners, managers, technical teams
  • Shifting venues, logistics, transport
  • Load-in & load-out schedules
  • Designing & altering auditoriums
  • Site-specific considerations 
  • Workshop: Discussing potential challenges & changes needed for a set

Assignment #6: Create a touring tech spec. 

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10
MON (24/11), 6 PM BST
Rehearsal Rooms Through to Tech & Preview

Own the final stretch of production by mastering how to tackle last-minute hiccups, manage rehearsals, and make smart decisions that keep your schedule and budget on track. Learn to stay cool under pressure and turn challenges into smooth solutions.

  • Managing creative ideas 
  • Rehearsal scheduling & resource allocation
  • Rehearsal notes & presence in the room
  • When things don’t go as planned 
  • Rapid decision-making, schedule & budget adjustments
  • Workshop: Discussing scenarios where something is not working & brainstorming solutions
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11
WED (26/11), 6 PM BST
Show Running, Reporting, Feedback & Storage

Get ready to keep the show running smoothly after opening night. You’ll learn how to handle technical issues, manage ongoing maintenance, and plan for the show’s next chapter, whether that’s storage, a reboot, or a graceful goodbye.

  • Technical failures, disruptions, on-stage accidents, injuries
  • Post-opening financial management
  • Long-term maintenance & logistics
  • Plans for future life & how it can change post reviews
  • Get-outs, storage & disposal

Assignment #7: Create a get out plan for a show, including disassembly and storage or a future life plan. 

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12
MON (1/12), 6 PM BST
Career Paths & Professional Development

Map out your career with a clear plan that highlights your personal brand, sharpens your networking skills, and unlocks growth opportunities, both local and global. Get practical strategies to build connections, boost your reputation, and keep your skills fresh for the long haul.

  • Career paths in theatre production management
  • Building a personal brand & reputation
  • Networking strategies & building industry connections
  • Ensuring continuous development & learning
  • Going global & working internationally 
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What our students say

Student Victoria Mansell
Victoria Mansell

MARKETING DIRECTOR
"It was such a great experience, well worth the course fee which I invested personally - I've learnt so much and feel much more confident in my role.."

Student Parag Deb
Parag Deb
BECOME AN AR/VR DESIGNER
"The course at ELVTR was a great investment in my career. The materials are top-notch, and the instructors provided excellent support."
Student Kiara De Leon Hernandez
Kiara De Leon Hernandez
UI/UX FOR GAMING
"The knowledge. The teacher is very experienced. He is able to answer our questions in depth, and takes the time to do so."
Student Youssef MN Aly
Youssef MN Aly
BECOME AN AR/VR DESIGNER
"The course was very helpful in helping me expand my design toolkits by gaining a wealth of new knowledge and inside expertise to stay at the forefront in an age of rapidly developing technological and software advancements."
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